Saturday 24 February 2018

I, Tonya

Seen at the beautiful Midland Theatre or Astor Theatre, Ararat, VIC

Cecil says:  I only vaguely remember the Tonya Harding ‘incident’. I
think at that time, I was in a kind of anti-American bubble
where an apparent squabble between two US ice skaters didn’t much matter to
me, and I was pleased neither of them got gold at the Winter Olympics. So it was
quite interesting to see the story told 20 odd years later. 

Harding is a self-confessed redneck (spoken via the
contemporary ‘interviews’ which flick on and off as the
story from the 1990s unfolds), and at one point we are shown a bedroom poster of
Ronald Reagan, suggesting these were working class Republicans. So it felt
like no coincidence that this is precisely the kind of family that would have
voted in Trump in 2016, which felt like the reason anyone would make this film
now.

None of the characters we focus on are attractive or evoke
sympathy in any way, really. The only mitigating theme
running through the film, and certainly Harding’s obsession (understandably), was that of the
snobby judges in US ice-skating preferring the middle class
clean-cut girls Harding was competing against, however talented Harding
herself was. Again, this is the kind of ‘rigged’ system, that led to Trump
being elected,

The domestic violence was graphic, and continued on from
maternal violence in Harding’s youth. It was hardly a
comfy upbringing, and no doubt made her the creature she was.Right at
the end, there is footage of the real people being
interviewed, and you can see how well cast this film was,
with Allyson Janney especially good as Harding’s Mum (I loved the gasps from
the mainly middle-aged audience in our country cinema when Janney first utters the ‘C’ word…).

Funnily enough, having also seen a documentary on Tonya
Harding just a day after seeing the film (again, no coincidence surely), I
would say if anybody was badly-cast it was *** in the role
of Harding herself. In real footage of Harding at the time, she comes across
much more as a little teenage brat than in the film. ** is almost too well-built
and robust in face and body to match the real Harding.

But overall, this was an interesting film to see in the
context of 2018 America. Not a film to enjoy as such or to feel much
identification with the characters – not for me, anyway– but worth seeing
nonetheless.

***

Bea says:  

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